{"id":238,"date":"2013-06-03T16:47:45","date_gmt":"2013-06-03T16:47:45","guid":{"rendered":"https:\/\/11bienal.dreamhosters.com?page_id=238"},"modified":"2022-02-08T13:04:09","modified_gmt":"2022-02-08T16:04:09","slug":"curatorial-statement","status":"publish","type":"page","link":"https:\/\/11.bienaldeartesmediales.cl\/en\/curatorial-statement\/","title":{"rendered":"Curatorial Statement"},"content":{"rendered":"<p>The curatorial approach reflects on the intertwined fields of art and science that respond to a social, cultural, economical and political contingency. Their concern is based on the human being as an integral body, faced by the third industrial (or scientific) revolution, in a context of continued survival. Surrounded by the&nbsp;electromagnetic and transgenic post-industrial&nbsp;ghosts, the survival of human beings on Earth is threatened.<br \/>\nThe curatorial concepts are in dialogue with the past two biennials Media Resistance and Deus Ex Media. The concept of AUTONOMY along with the concept of resistance is understood as a manifesto that installs a position on the commodification of art and culture, as opposed to its transforming capacity of human will. The curatorial concept Deus Ex Media is related to the present biennial by his provocation towards the work&#8217;s significance with respect to the technology with which it is produced.<br \/>\nBoth instances have had as its reflection axis the limits of experimental audiovisual production, but above all, they have had an attitude of critical reflection about the methodologies associated to the use of science and technology in the arts. In the 11 BAM, AUTONOMY is an invocation to the force present in the production communities of the experimental visual arts, where hacktivism and permaculture, representatives of this cutting edge trend, practice the invention and powerful management of emancipation tools.<br \/>\nAUTONOMY reflects the human ability of participating proactively and creatively in the social context, evoking the need for coordinated interaction with other living beings. The concept is installed at a sensitive time of Chilean politics, since it is developed prior to the presidential and parliamentary elections, where the concept of participation is powerfully present on the social framework.<br \/>\n<em>Fernando Godoy \u00b7 Mr. Trafixxx \u00b7 Matthew Neary \u00b7 M\u00e1ximo Corval\u00e1n \u00b7 Claudia Gonz\u00e1lez \u00b7 Rodrigo Araya \u00b7 Francisca Garc\u00eda \u00b7 Javier Gonz\u00e1lez Pesce \u00b7 Ignacio Cuevas \u00b7 Horacio Larra\u00edn \u00b7 Gabriel del Favero \u00b7 Regina de Miguel \u00b7 Carolina Pino \u00b7 Camilo Ya\u00f1ez \u00b7 Merced \u00b7 Ivan Navarro \u00b7 Gonzalo Ramirez \u00b7 Alejandra P\u00e9rez \u00b7 Michael Saup \u00b7 Sebasti\u00e1n Jatz \u00b7 Enrique Ramirez \u00b7 Carolina Ibarra \u00b7 Joaquin Coci\u00f1a \u00b7 Nicol\u00e1s Rupcich \u00b7 La Fuerza del Remolino \u00b7 Cristian Lira.<\/em><br \/>\nMore info:&nbsp;<a href=\"https:\/\/11bienal.dreamhosters.com\/wp-content\/uploads\/2013\/06\/Curatorial-approach.pdf\">Curatorial Approach<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The curatorial approach reflects on the intertwined fields of art and science that respond to a social, cultural, economical and political contingency. Their concern is based on the human being as an integral body, faced by the third industrial (or scientific) revolution, in a context of continued survival. Surrounded by the&nbsp;electromagnetic and transgenic post-industrial&nbsp;ghosts, the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page.php","meta":{"footnotes":""},"class_list":["post-238","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/11.bienaldeartesmediales.cl\/en\/wp-json\/wp\/v2\/pages\/238","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/11.bienaldeartesmediales.cl\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/11.bienaldeartesmediales.cl\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/11.bienaldeartesmediales.cl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/11.bienaldeartesmediales.cl\/en\/wp-json\/wp\/v2\/comments?post=238"}],"version-history":[{"count":1,"href":"https:\/\/11.bienaldeartesmediales.cl\/en\/wp-json\/wp\/v2\/pages\/238\/revisions"}],"predecessor-version":[{"id":3126,"href":"https:\/\/11.bienaldeartesmediales.cl\/en\/wp-json\/wp\/v2\/pages\/238\/revisions\/3126"}],"wp:attachment":[{"href":"https:\/\/11.bienaldeartesmediales.cl\/en\/wp-json\/wp\/v2\/media?parent=238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}